Iron Lung is Markiplier's slow burn sci-fi horror. A review of the film's atmosphere, restraint and existential dread.
Iron Lung (2026) Markiplier’s Claustrophobic Sci-Fi Horror, Explained
The Terror by Dan Simmons: A Review of The Arctic Horror Masterpiece
Dan Simmons' The Terror follows Franklin's doomed Arctic expedition and the creature hunting them across the ice. A modern horror masterpiece reviewed.
Episode 13 Review: Found Footage Horror at It’s Most Claustrophobic
Episode 13, by Craig DiLouie, is found footage horror in novel form - a paranormal investigation crew trapped in an abandoned research centre. Reviewed.
Why Hollywood Can’t Stop Making Franchises (And Who’s Really to Blame)
Franchise films dominate cinema. Explore the financial and psychological forces that keep sequels, reboots and shared universes endlessly rolling.
Magnolia (1999): The Hidden Horror of Everyday Emotional Devastation
Magnolia isn't a horror film, but it might be the most terrifying movie ever made. A review of PT Anderson's masterpiece of coincidence, grief and ruin.
Weapons (2025) Review: Zach Creggar’s Fragmented Horror, Ranked and Rated
"Weapons," directed by Zach Cregger, features non-linear storytelling that intertwines the experiences of multiple characters following the mysterious disappearance of 17 children. The film effectively builds suspense through fragmented narratives, but some arcs feel incomplete. Despite its flaws, it offers a unique horror experience that invites viewer interpretation and engagement.
The Trap (2024): Review M. Night Shymalan’s Best and Most Frustrating Film in Years
2024 is packed with new horror films and remakes like Beetlejuice, Twister, and Aliens. "The Trap" follows Cooper and his daughter Riley at a concert that turns out to be a trap for a serial killer. While the movie has flaws, it's entertaining. The entertainment industry's focus on money and fame is also a concern. Franchise films dominate, leaving little room for originality.
How Hollywood’s Franchise Machine is Killing Original Horror
Sequels and franchises dominate modern cinema, promising familiar characters and worlds but often falling short in quality. While they guarantee profits, they stifle creativity and lead to repetitive, uninspired storytelling. Audiences play a part in this cycle by supporting these films, lowering their expectations, and neglecting original works. Breaking free requires demanding and supporting fresh, innovative storytelling.
God vs. the Devil in Horror: Why Religion Makes The Best Horror Stories
Horror movies often center around the battle between good and evil, often personified by God and the Devil. These themes tap into deep-seated fears and beliefs, challenging us to confront morality and the unknown. The Devil is a classic villain, deeply rooted in religious fear, while God represents hope and salvation. These movies also explore the darker side of faith and the potential absence of God, creating a space for reflection on human existence and the eternal struggle between good and evil. As horror evolves, filmmakers are finding new ways to portray these age-old themes, blending traditional religious horror with contemporary perspectives and issues.
Arcadian (2024) Review: Nicholas Cage’s Post-Apocalyptic Horror, Is It Worth It?
In a post-apocalyptic setting, Nicholas Cage's character, Paul, struggles to protect his twin sons from nocturnal creatures while navigating the challenges of survival. The movie offers tense action and thrills, but suffers from pacing issues and a lack of backstory.